Decoding the artistic compositions means permanently discovering new visual surprises expressed at the level of the whole, where interior architecture motivates the artist’s vision, while the chromatic basis is responsible for unleashing fantasy which is constraint free. I notice, as an essential element, the waving of chromatic territories as a perpetual movement of the surface, kindly inviting the viewer to follow them, having a comforting role or just detached. Anyway, these meanders make one’s sight follow the spiral-like paths of the composition or to discover the flutter of an angel’s wings. Moreover, the exodus towards light has an open door towards light in us and outside our own being. Such tracks which are far beyond earthly matters transform the eternal motif of flight into a reflection topic which is also a means of expressing the ineffable. All hypotheses regarding Solar Organ or Fire Bird, Meanders or Arcades are nurtured by the constructive appetite of the author and his availability towards chromatics which is obviously marked by a strong personal touch. Large touches, the art of giving them value, complementary juxtapositions, the rhythm of colourful areas are connected to long-practiced dexterity and unequivocal option. The paths of harmonious touches offer a certain interior tension to the whole, having an energetic effect over the viewer. The option for suggesting The Vital Impetus, linked to compositions inspired by the world of the vegetal, reminds me of the ornamental echoes of Art Nouveau at the end of the XIX-th century, suggesting the idea of a successive germination as a symbol of perpetual renewal by rebirth.